Interest in his poetry was revived in the early 20th century.
He is recognized as a great formal master, an eloquent expositor of the spirit of his age, and a representative of the culture and politics of the Enlightenment.
He never grew taller than four and a half feet, was hunchbacked, and required daily care throughout adulthood.
His irascible nature and unpopularity in the press are often attributed to three factors: his membership in a religious minority, his physical infirmity, and his exclusion from formal education.
However, Pope was bright, precocious, and determined and, by his teens, was writing accomplished verse. Publisher Jacob Tonson included Pope’s made him famous in wider circles.
In the mid-1720s, Pope became associated with a group of Tory literati called the Scriblerus Club, which included John Gay, Jonathan Swift, John Arbuthnot, and Thomas Parnell.
Pope’s literary merit was debated throughout his life, and successive generations have continually reassessed the value of his works.
Pope’s satires and poetry of manners did not fit the Romantic and Victorian visions of poetry as a product of sincerity and emotion.
In the years that followed, Pope continued to work on and expand the poem: adds mock footnotes that expand his satirical critique to many other London publishers, writers, and critics, and the four-book edition released just before his death extends that commentary to English society overall.
is didactic and wide-reaching and was meant to be part of a larger work of moral philosophy that Pope never finished.