Censorship Research Paper

It explores how the new characters, as an alternative translation, achieve their Austinian performative force through an iteration of the original official language, which is thus displaced and subverted; how the puns become double-voiced and double-signified utterances in the Bakhtinian sense of folk humor; and how the vulgarities are pervasively used as interjections and intensifiers to vent strong emotions in the struggle against the state's anti-vulgarity and internet censorship campaigns.

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In my CAIS project,​ I explore the latest transformations in the community- and algorithm-driven networks revolving around the social micro-blogging site Tumblr.

Adapting (visual) digital methods to follow hashtags and memes that were shared in the aftermath of “Tumblr purge”, I approach platforms as mediators of conflicting business models, lifestyle practices, and political interests.

It explores how his comic strips evoke carnivalesque laughter by satirizing social ills, officialdom, and the increasing gap between the Communist Party (CCP) and the people, the state and the family, and the privileged and the underprivileged.

The recent censorship of information that has occurred—originating from the United States but also influencing access to information worldwide—requires commentary, context and concrete documentation of its existence. more The recent censorship of information that has occurred—originating from the United States but also influencing access to information worldwide—requires commentary, context and concrete documentation of its existence.

This paper suggests, however, that a state-based consumer protection initiative requiring the “good faith” application of social media platforms’ terms of service to user bans could overcome these obstacles and would be consistent with a wide range of consumer-oriented remedial regimes that have survived constitutional and other attacks.

With the digitization of the communication and the entertainment industry, traces that we leave when we use social media networks become part of the affective economy of attention, sharing, and recommendation. more With the digitization of the communication and the entertainment industry, traces that we leave when we use social media networks become part of the affective economy of attention, sharing, and recommendation.

That said, there is optimism that with vigilance and continuing efforts to maintain transparency the Internet can stay as a force for increasing freedom than a tool for more efficient repression. Murdoch of the University of Cambridge Computer Laboratory and Hal Roberts of the Berkman Center for Internet & Society at Harvard University.

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Operating as data-intensive distributors of content, internet corporations translate participation into a source of control and value generation.

Popular platforms thrive on intensive engagement, but what happens when their distinctive experiential affordances noticeably change?