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Early on Vladimir and Estragon appeal to Godot in "a kind of prayer . So, despite Beckett’s denial, readers and audience members cannot but help posit Godot as representing, or at least paralleling, God and/or Christ. In Act II, Pozzo is compared to Adam and Eve’s sons Cain and Abel, thus suggesting that the characters are representative of the human race.Vladimir states that "hope deferred make something sick," a reference to the biblical Proverbs : "hope deferred maketh the heart sick” (2).
For Vladimir and Estragon, this repetition demonstrates the meaningless of time.
Just like the day before, each day has the same purpose—to wait for an unknown someone who never comes.
And, since there is no apparent meaning to life, as humans we are left miserable in an indifferent universe.
This dark but absurd existentialist stance forces us then to impose meaning and purpose on our actions and events, not only to soothe our distress and overwhelming sense of helplessness, but also to provide distractions while we await death. Pozzo responds to Vladimir: "I woke up one fine day as blind as Fortune (56)." Vladimir and Estragon discuss the parable of the two thieves who were crucified next to Jesus: “one of the thieves was saved,” he says, “it's a reasonable percentage" (2).
In addition the pair of boys who come at the end of each act to announce that Godot will yet again fail to show up are interchangeable brothers whom Vladimir cannot distinguish between. In Act II, Vladimir sings a song about a dog who “stole a crust of bread” (34).
Discuss how Beckett utilizes this song to emphasize his idea of repetitiveness in .
Like the dogs in the song, the individual events in the men’s lives follow each other endlessly while they wait for Godot who never comes.
They are caught in a never ending cycle unable to do anything else or go anywhere else because of this incessant waiting for a man who never appears.