Critical Essays On Nathaniel Hawthorne

Critical Essays On Nathaniel Hawthorne-65
Any one-volume collection of criticism necessarily provides nothing more than a sample.This volume, therefore, brings together some ofthe representative high points of Hawthorne criticism, ranging chronologically from the 1940s to the present.

Any one-volume collection of criticism necessarily provides nothing more than a sample.

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The novel has dominated American literature for more than a century, and we spend too much time reading that form to appreciate Hawthorne fully.

The novel—a uniquely modem form, whose very name suggests novelty—is characterized by an attention to the minute textures of everyday life.

And yet, for all his familiarity, there remains something strange, something alien, about Nathaniel Hawthorne.

Perhaps we fmd him difficult because we're too familiar with the realistic novel.

Lang -- "The artist of the beautiful" / Richard Harter Fogle -- The logic of compulsion in "Roger Malvin's burial" / Frederick C.

This content was uploaded by our users and we assume good faith they have the permission to share this book. Jack Lynch This contribution to the Critical Insights series doesn't presume to reprint everything important in Hawthorne criticism, nor even all the best Hawthorne criticism.This realistic novel has become the most common On Nathaniel Hawthorne 3 form of fiction, the kind on which we're taught to exercise our critical methods.If we try to read Hawthome the way we read the realistic novel, though, we're bound to be either disappointed or confused.Hawthome's narratives may seem realistic on the surface, but his greatest debt is not to the eighteenth-century novelists but to the seventeenth-century romancers. Hawthome didn't refer to his works as "short stories" or "novels"; he preferred to call them "tales" and "romances." The choice of vocabulary is significant."When a writer calls his work a Romance," Hawthome declares in the preface to The House of the Seven Gables, "he wishes to claim a certain latitude, both as to its fashion and material, which he would not have felt himself entitled to assume, had he professed to be writing a Novel." The novel, he goes on to note, "is presumed to aim at a very minute fidelity, not merely to the possible, but to the probable and ordinary course of man's experience." That's a fine description of the work of Jane Austen and George Eliot, but it wasn't 4 Critical Insights what fired Hawthorne's imagination.Includes criticism of "Roger Malvin's burial," "The artist of the beautiful," "The custom house," "The scarlet letter," "The house of the seven gables," "The Blithedale romance," and "The marble faun."Introduction / A. Kaul -- Maule's Curse, or Hawthorne and the problem of allegory / Yvor Winters -- Hawthorne as poet / Q. Leavis -- Hawthorne as symbolist / Charles Feidelson, Jr. Crews -- The ethical dimension of "The custom house" / Larzer Ziff -- The scarlet letter / Mark Van Doren -- The house of the seven gables / F. The essays take a variety of critical and theoretical approaches: some ask biographical questions, while others examine Hawthorne's psychology; still others look at his historical and literary contexts.There are essays on mythology, on politics, and on theology.They can be found in virtually every library in the English-speaking world.No responsible survey course on American literature is complete without The Scarlet Letter, no reputable collection of American short stories can omit "The Birth-Mark" or "Rappaccini's Daughter." He stands at the center of nineteenth-century American literature.


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