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While in France, Eliot met the eventual publisher of , Horace Liveright, while at a dinner with James Joyce and Ezra Pound.Liveright agreed to publish the Eliot’s poem in book form but was apprehensive about its length. Eliot did end up adding something to pad the publication: his endnotes.Some one said: “The dead writers are remote from us because we know so much more than they did.” Precisely, and they are that which we know. In Selected Essays, he compiled his most significant works of criticism and theory written between 19. He moved to England in 1914 and published his first book of poems in 1915.
Poe had, to an exceptional degree, the feeling for the incantatory element in poetry, of that which may, in the most nearly literal sense, be called ‘the magic of verse’.
It was the symbolist poets who began the study of effects minus causes. He had been intensely interested in Eliot since his first months in Cambridge in 1934. He is easily the greatest modern poet, and just how great he is remains to be seen, because he has not produced his best yet.
This is a technique indispensable to the developing of perception and the by-passing of concepts. A letter to his family from Dec 6, 1934 records: Of late I have been wayfaring among the work of T. However the poems I am reading  have the unmistakable character of greatness.
(Eliot is an anglo-Catholic, a theologian and philosopher and one of the best critics who ever wrote in English.) Now there is something ineffably exciting in reading a man, a genius and a poet, who has by the same stages, in face of the same circumstances (he is an American), come to the same point of view concerning the nature of religion and Christianity, the interpretation of history, and the value of industrialism.
(Marshall, at that time pretty much a New Critic, believed with F. Leavis that the one major poet of our time was Eliot.