She is ultimately “jilted” by the man she falls in love with—Homer Barron, a bold, overpowering contractor from the North—and poisons him to ensure a life-long commitment.A similar theme appears within Katherine Ann Porter’s “The Jilting of Granny Weatherall.” Ellen Weatherall, nicknamed “Granny” throughout the piece, lies upon her deathbed as the story begins.The third and final conflict involves man versus supernatural.
She ultimately becomes the representation of the town’s past and a monument among the “august names” in the Confederate graveyard (Faulkner 243). Although he was only trying to protect her, this raises a question: did Emily’s father love her a bit much?
This could have been the reasoning behind poisoning Homer Barron—Emily sought a man much like her father, but was terrified of losing him.
The first involves Granny and George, the first man that jilted her.
Although he hurt her terribly, Granny is unable to forget him.
On the night he was last seen, the narrator states, “…that was to be expected too; as if that quality of her father which had thwarted her woman’s life so many times had been too virulent and too furious to die” (Faulkner 248).
There are also three major conflicts within “The Jilting of Granny Weatherall:” man versus man, man versus self, and man versus supernatural.
William Faulkner’s “A Rose for Emily” focuses on the life and death of Emily Grierson, a monumental figure representing the traditional South in her hometown of Jefferson, Mississippi.
Although the story begins with her death, the details of her life are revealed through flashbacks by an unknown narrator.
But the most important involves her first jilting by her fiancé George, and her second, by Jesus. The Board of Aldermen tried to readmit her taxes, but Emily refused to pay them. Alive, Emily’s father was overprotective, overbearing, and stubborn.
There are three major conflicts in“A Rose for Emily:” man vs. When the mailboxes went up around the town, Emily refused to hang hers. He refused to let any man near Emily—there was a picture painted of the two; “We had long thought of them as a tableau, Miss Emily a slender figure in white in the background, her father a spraddled silhouette in the foreground, his back to her and clutching a horsewhip…” (Faulkner 246).