Essay Diffinition

Essay Diffinition-56
Zuihitsu have existed since almost the beginnings of Japanese literature.Many of the most noted early works of Japanese literature are in this genre. 1000), by court lady Sei Shōnagon, and Tsurezuregusa (1330), by particularly renowned Japanese Buddhist monk Yoshida Kenkō.

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The defining features of a "cause and effect" essay are causal chains that connect from a cause to an effect, careful language, and chronological or emphatic order.

A writer using this rhetorical method must consider the subject, determine the purpose, consider the audience, think critically about different causes or consequences, consider a thesis statement, arrange the parts, consider the language, and decide on a conclusion.

English essayists included Robert Burton (1577–1641) and Sir Thomas Browne (1605–1682).

In France, Michel de Montaigne's three volume Essais in the mid 1500s contain over 100 examples widely regarded as the predecessor of the modern essay.

Francis Bacon's essays, published in book form in 1597, 1612, and 1625, were the first works in English that described themselves as essays.

Ben Jonson first used the word essayist in English in 1609, according to the Oxford English Dictionary.Kenkō described his short writings similarly to Montaigne, referring to them as "nonsensical thoughts" written in "idle hours".Another noteworthy difference from Europe is that women have traditionally written in Japan, though the more formal, Chinese-influenced writings of male writers were more prized at the time.Inspired in particular by the works of Plutarch, a translation of whose Œuvres Morales (Moral works) into French had just been published by Jacques Amyot, Montaigne began to compose his essays in 1572; the first edition, entitled Essais, was published in two volumes in 1580.For the rest of his life, he continued revising previously published essays and composing new ones.Furthermore, Huxley argues that "essays belong to a literary species whose extreme variability can be studied most effectively within a three-poled frame of reference".These three poles (or worlds in which the essay may exist) are: Huxley adds that the most satisfying essays "..the best not of one, not of two, but of all the three worlds in which it is possible for the essay to exist." The word essay derives from the French infinitive essayer, "to try" or "to attempt".During the Age of Enlightenment, essays were a favored tool of polemicists who aimed at convincing readers of their position; they also featured heavily in the rise of periodical literature, as seen in the works of Joseph Addison, Richard Steele and Samuel Johnson.In the 18th and 19th centuries, Edmund Burke and Samuel Taylor Coleridge wrote essays for the general public.Almost all modern essays are written in prose, but works in verse have been dubbed essays (e.g., Alexander Pope's An Essay on Criticism and An Essay on Man).While brevity usually defines an essay, voluminous works like John Locke's An Essay Concerning Human Understanding and Thomas Malthus's An Essay on the Principle of Population are counterexamples.

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