Bach, Carl Philipp Emanuel Bach (1714–1788) was a highly influential composer whose music made a big impact on the period between his father's Baroque style and the Classical and Romantic styles that followed.
Research and examinations have been done on the relics of the saint's body, so that his likeness could be reconstructed.
Their degree of difficulty was such that they were clearly intended for extremely skilled musicians.
In contrast, later published keyboard works were written for and marketed towards home music-making by amateurs; these include six sonatas “for the use of women.” Bach continued, however, to write difficult sonatas, but these were almost never published.
Emanuel learned to play keyboard and violin, becoming proficient enough to assist in his father’s church services and concerts sometime around 1729.
There, he was enrolled in the Thomasschule, where his father taught.
The first part was published in 1753 and dealt with fingering, ornaments, and performance. Around 1750, Bach apparently began to grow unhappy with his Berlin position, as he made two attempts to take over his father’s former position in Leipzig. 1755 was also the year that Bach engaged in a war of words with the second harpsichordist at Frederick’s Berlin court, Christoph Nichelmann, who found Bach’s playing style fussy.
The second part, published in 1762, mostly discussed accompanying. Despite the support of his godfather Telemann, his applications were rejected both in 1750 (the year that the position was left vacant due the death of J. By bringing the matter to Frederick II, however, Bach got the last word.
Sometime before 1740, he received a plum position: harpsichordist to Frederick, Crown Prince of Prussia. His salary was not extravagant, but it allowed him to marry in 1744. Highlights included the two groups of six keyboard sonatas each, known as the “Prussian” sonatas, and the six “Württemberg” sonatas.
He and his wife, Johanna Maria Dannemann, had two sons and one daughter. After they were published in the early 1740s, these sonatas circulated widely and were acclaimed as highly original.