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We apologize for any inconvenience, and thank you for your visiting.“But the while I think on thee (dear friend) all losses are restored, and sorrows end” (lines 15-16).When to the sessions of sweet silent thought I summon up remembrance of things past, I sigh the lack of many a thing I sought, And with old woes new wail my dear time’s waste: Then can I drown an eye, unus’d to flow, For precious friends hid in death’s dateless night, And weep afresh love’s long since cancell’d woe, And moan the expense of many a vanish’d sight: Then can I grieve at grievances foregone, And heavily from woe to woe tell o’er The sad account of fore-bemoaned moan, Which I new pay as if not paid before.
In addition, this line shows the use of court or legal jargon with “sessions” which refers to the sitting of a court and “silent thought” is an almost literal translation of just thinking within your own head or remembering the past.
The remainder of the first quatrain sets up an entire scene of how and what causes the speaker to start to recollect.
While it is not known exactly when Sonnet 30 was written, most scholars agree that it was written between 15.
It is written in Shakespearean form, comprising fourteen lines of iambic pentameter, divided into three quatrains and a couplet.
Sonnet 30 is among the first group of sonnets (1-126), which are thought to concern a fair young man. While he suggests Petrarchan form by placing the chief pause after the eighth line in about 27 or so of the sonnets, in over two thirds of his sonnets he places the chief pause after the twelfth line instead. This is a metre based on five pairs of metrically weak/strong syllabic positions.
The original volume of 1609 is dedicated (by the publisher) to a "Mr. Occurring after much metrical tension throughout the quatrains, the couplet exhibits a quite regular iambic pentameter pattern: Differences in scansion, however, tend to be conditioned more by metrists' theoretical preconceptions than by differences in how they hear the line.Not truly, for the first line is actually the title to this poem seeing as this poem is known as “Sonnet 30” and “When to the Sessions of Sweet Silent Thought”; either way the first line also sets a beginning mood ripe for remembrance.Alliteration is present here with the repetition of the consonant sound “S” in “sessions” “sweet” “silent”.Sonnet 30 starts with Shakespeare mulling over his past failings and sufferings, including his dead friends and that he feels that he hasn't done anything useful. It divides the sonnet into two parts: the octet (the first eight lines) usually states and develops the subject, while the sestet (the last six lines) winds up to a climax.But in the final couplet Shakespeare comments on how thinking about his friend helps him to recover all of the things that he's lost, and it allows him stop mourning over all that has happened in the past. A strong pause at the close of each quatrain is usual for Shakespeare.Within the sonnet, the narrator spends time remembering and reflecting on sad memories of a dear friend.He grieves of his shortcomings and failures, while also remembering happier memories.The meaning itself is simple; though after a good bit of decrypting; the speaker is looking back is recollecting all the things that have happened to him or her, but more specifically looks at things that weren’t good and remembers how things “piled” up more and more which brought great sorrow.However, in the last two lines of the verse, Shakespeare pulls out his classic trump car with a positive ending where the speaker describes how thinking of someone dear brings great joy over the sorrow they felt.The second line of Shakespeare's Sonnet 30 provided the source of C. Scott Moncrieff's title, Remembrance of Things Past, for his English translation (publ.1922-1931) of French author Marcel Proust's monumental novel in seven volumes, À la recherche du temps perdu (publ.