The point is that something tragic happens to one of the characters. Answering yes to all of these questions is a pretty clear sign you have a tragic hero on your hands.
Lastly, think about the reason for the character’s downfall.
By making tragic heroes generally neutral on the moral scale, it makes them more relatable, which makes readers upset when they finally die or suffer some other tragic fate.
Furthermore, they must suffer more than they should.
Instead, he remains indecisive about whether his uncle, Claudius, was the murderer.
Even after he discovers his uncle killed his father, he can’t decide on how to enact his revenge and obsesses over it.Unlike Romeo, Gatsby is completely idealistic in his love for Daisy—he’ll do anything for her, but she wouldn’t do the same for him. Gatsby is so busy reaching for an ideal that he’s never satisfied.He surrounds himself with money and parties even though he doesn’t take any real pleasure from them. When he finally gets the girl, he still isn’t satisfied. So it doesn’t matter if some people say Snape isn’t, as long as you can back your writing up with evidence that he is.They understand this by the end of the play or novel.What’s more, they couldn’t have helped what had happened because their flaw—pride, love, etc.—isn’t something they could control.The main two qualities about tragic heroes, though, is that they are just like you and me and that they suffer more than they deserve to.This is critical to the response writers want to evoke from readers.This really gets the pity party going in the audience.Lastly, tragic heroes are undone by their own actions or flaws.Even if it’s technically by the hand of someone else, if it can be traced back to the flaw of the hero, it makes the situation tragic.Hamlet’s tragic flaw is his indecisiveness and obsession.