Harold Bloom Essay

Harold Bloom Essay-61
You asked me to list five books that continue to influence the profession.But, as I made clear to you, I’m not interested in that any more.I prefer Curtius on Dante to the discussion of Dante by any other critic, because he sees that Dante is creating a myth, or even a gnosis, of his own.

You asked me to list five books that continue to influence the profession.

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The later work overturns an earlier work in order to get free of it.

The new poem, new story, new drama or new novel is a creative misreading of the work that engendered it. This is, I think, the finest work of literary scholarship in my time, by the great German philologist Ernst Robert Curtius.

The middle ages depended heavily on Latin – the vernaculars developed out of it.

The greatest instance is Dante, who wrote some of his prose works in Latin but who chose the Tuscan vernacular for much of his work.

Dodds applied the psychological theories of the early 20th century to understanding Greek literature. Give us a précis of the theory of literary evolution you developed in that book. I gave it up because of the ambivalence I began to develop towards him.

If I live long enough, I may go back to the manuscript, which is yellowing up in the attic.I regard myself as a common reader, and I address myself to common readers throughout the world.My books that have made the most impact, and were meant to, are .I’ve been practicing literary criticism for more than 60 years.In 1976, I resigned from the once splendid Yale English department, which I had joined in 1955, to protest the decline in aesthetic and cognitive standards in the profession.I became a professor of the humanities, a department of one.I have been the pariah of the profession for the last 45 years.I’m interested in the books that have influenced me and will go on influencing me – as I work and teach and write – until I die.Those books include , which still has an ongoing influence on me, particularly in my study of Yeats, Hart Crane and other great poets. I like to say, ‘There is no God but God and his name is William Shakespeare.’” was a concept, as Dodds makes beautifully clear, having to do with the creative forces in the individual, which are deeper and more pervasive than what you might want to call the mere conscious.It is an extraordinary study of the continuity of European literature, from Homer and the other Greeks, on through Virgil and the great Latin writers, to a culmination in Dante, and moving beyond to a consideration of a long tradition that concludes with Goethe.Curtius traces the evolution of language in Italy, in France and in Spain.

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