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Rounding out the volume are a chronology of Hughes's life and a list of his principal publications as well as a bibliography for readers seeking to study this seminal author in greater depth.Each essay is 2,500 to 5,000 words in length, and all essays conclude with a list of "Works Cited," along with endnotes.
His often anthologized stories, such as "The Blues I'm Playing" and "Blessed Assurance," continue to delight, and even his plays, many years after their first performances, are proving to be a rich mine for scholars. Baxter Miller, Professor of English and the Institute for African American Studies at the University of Georgia, this volume in the Critical Insights series presents a variety of new essays on the poet laureate of Harlem.
For readers who are encountering Hughes for the first time, a biographical sketch then relates the details of his life and four essays survey the critical reception of Hughes work, explore its cultural and historical contexts, situate Hughes among his contemporaries, and review key themes in his work.
Readers seeking a deeper understanding of the writer can then move on to other essays that explore topics like Hughes' relations to the Harlem Renaissance and black aesthetics, blues music, religion, and modernism.
1 Volume300 Pages Essays Offering Analysis by Top Literary Scholars Introductory Essay by the Editor Chronology of Author's Life Complete List of Author's Works Publication Dates of Works Detailed Bio of the Editor General Bibliography General Subject Index Poet, playwright, and short story writer Langston Hughes remains perhaps one of the most well known African American writers of the twentieth century.
With memorable lines like "Life for me ain't been no crystal stair" and "What happens to a dream deferred?