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Duchamp's ongoing preoccupation with the mechanisms of desire and human sexuality as well as his fondness for wordplay aligns his work with that of Surrealists, although he steadfastly refused to be affiliated with any specific artistic movement per se.
Chance also dictated his choice of title: Duchamp apparently hit upon stoppages, French for the "invisible mending" of a garment, after walking past a shop sign advertising sewing supplies.
Mixed media - The Museum of Modern Art The Bride Stripped Bare by Her Bachelors, Even, or The Large Glass was partly inspired by author Raymond Roussel's use of homophones, words that sound alike but have different meanings.
The linguistic dimension of his work in particular paved the way for Conceptual art.
The artistic inquiries of the highly innovative Cubists were not enough for Duchamp, he continued such early experiments throughout a life that was questioning, redefining, and unorthodox - leading to art beyond what the world thought possible.
Duchamp frequently resorted to puns and double-meanings in his work.
With The Large Glass, he sought to make an artwork that could be both visually experienced and "read" as a text.
He also won a prize for drawing in 1903, and at his commencement in 1904 he won a coveted first prize, validating his recent decision to become an artist.
He learned academic drawing from a teacher who unsuccessfully attempted to "protect" his students from Impressionism, Post-Impressionism, and other avant-garde influences.
At eight years old, Duchamp followed in his brothers' footsteps when he left home and began schooling at the Lycée Pierre-Corneille, in Rouen.
Two other students in his class also became well-known artists and lasting friends: Robert Antoine Pinchon and Pierre Dumont.