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There's plenty of perfectly balanced Synthesists you can create, and there's even a Dragon example build which is pretty tame.General things to look out for and veto: Dumping all their physical stats on character creation (in a point buy system)Pounce at low levels A ridiculous number of Limbs Synthesist summoner is fine.A straight summoner might be "better" but if he's casting Enlarge Person on the fighter every combat and providing flanking with his eidolon, it doesn't feel so bad. If you abuse the class features, take optimal options at every turn, and set out to create the most powerful character possible, then you will create an overpowered character.
It should thrill fans of Tycho, Steve Moore and Majeure.
An excellent work of "Berlin School" electronic music which was inexplicably overlooked in its day, "Synthesist" is finally gaining recognition for being something of a lost gem.
A player in my group has a really cool idea for a character, they want to play a Kobold that thinks it is a true dragon.
I really like the concept, but so far I haven't allowed it because he wants to be a Synthesist Summoner.
Tracks like the opening "So Weit, So Gut", "Transcendental Overdrive" and the title piece are immediately accessible, bouncy and bright, while "1847 - Earth" is a mesmerizing loop that builds up into a pounding percussive rhythm.
"Trauma" is an eerie yet beautiful soundscape of phased synths, like floating in an electronic luminescent aural sea. Aldrian" and the closer "Tai Ki" have a calm, meditative feel.
I know that they have been banned from society play, but I was wondering if anyone had any experience playing or running a game for one. Sythesist summoner is actually regarded to be worse than regular summoner, as it reduces your overall action economy.
The real problem with it is that it exposes the massive gap between casters and non-casters in a more obvious way than having the summoner and eidolon being separate.
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, who recognizes the high seriousness of Wagner's intentions, and who draws fruitfully on Wagner's own accounts, in the letters to Rockel and Frau Wesendonck, to convey the grandeur of Wagner's artistic aims.